For a long time now- a few years, maybe- I’ve been thinking in the back of my mind how cool it would be to send people little notes and pictures, on scraps of paper. Like, if I had infinite resources, I would mail people postcards with tiny instructions. Or a poem. Or a story that made them think about something they never considered before. Something short, and unexpected, something to take a person out of time for a moment, and make that person appreciate that moment. Appreciate this lovely magic that is being alive. Even if it were because of sadness.

There’s a weekly email I get from this man, M. Van Vleet  where he tells little stories and he’s an interesting dude, in general. He’s written books. I can’t describe him. But in any case, he has sent me a few postcards. Each time, it was unexpected. I think once or twice, I entered a contest he had, and won, and the prize was just this silly postcard. One of them was a postcard of an old timey movie poster with a scantily clad lady hanging from a rope and monsters around her, I think. M. Van Vleet wrote me a short, kind message on the other side.

The joy I received from this postcard was completely disproportionate to the thing that it was. I should not have been so excited! But I was. I don’t know why, but if I could guess, I would say it was because I wasn’t expecting it. And because it was mysterious, from someone I sort of know but don’t. Because it was beautiful in a campy, nostalgic way. And maybe most of all, because I could hold it in my hand. It was a human connection that did not involve a screen like the one you are looking at now.

There’s a book I read over and over again as a teenager, that I don’t want to read again now, because I think it would spoil it. The book is, of course, Steppenwolf, by Hermann Hesse. Why I, as a thirteen-year-old American girl, related so much to a middle-aged man in Germany, I have no idea. I guess it is a credit to the talent of the great Hermann Hesse. I read that book over and over again. What I liked most about it was the magic. Underneath the streets was another place, where Harry didn’t belong, but he went there, anyway. The sign above the door said, “MAGIC THEATER—ENTRANCE NOT FOR EVERYBODY.”

It’s sort of a trick, really. Magic is for everybody. But the sign makes you feel special, like you might be the only one who will be worthy. Or maybe it makes you afraid- will they let you in?

Underneath that, in a reflection, are the words,

“FOR MADMEN ONLY!”

And with those words, Hesse took everyone who’d ever felt they didn’t belong, and he pulled them under his wing. (What kind of wing would he have had? A bat wing? A crow? Perhaps he had wings like a raven. What I wouldn’t give to have a cup of tea with Hermann Hesse.)

Ever since then, I’ve been longing for the day when I am walking down the street, and I find a little door- a door that I have, curiously, never seen before, although I’ve walked this street a million times before, and over the little door is a sign, “MAGIC THEATER—ENTRANCE NOT FOR EVERYBODY.” I’ve been walking and looking for thirty years, and I have never seen the sign.

But I have seen other things.

I have seen other things, but rarely on the internet. I’m not saying it’s not possible, but rarely. All of the magic seems to happen in that IRL space, where our meat bodies meet. Where you hobble out to your mailbox, and you open a letter and see a familiar scrawl. A doodle.  A note from the great beyond.

I have come to believe that we need to add magic to the world. Coloring Inside the Dreams was my attempt at that. I labeled it a coloring book, but it really was a love letter to the nearly lost art of creating magic. (Ironically for sale at Amazon.com.)

I’ve been wanting, for a long time, to do something not so public. Not on the internet. Just sending letters. Notes and pictures. To people like you. I want to write you a little poem, or give you some strange instructions. A dare. Or maybe a story that is from the great beyond. Ethereal. You read it, then maybe you lose it. But you remember it. A glimmer. A reflection on a sidewalk. A sign, over a little door.

MAGIC THEATER—ENTRANCE NOT FOR EVERYBODY

But I always came up against the sad fact of money. Stamps and paper and ink. They cost money. And my time. Darn. But it does, right? That’s just how it is. Everything costs money. Although, not too expensive, actually. Just a little money.

So… I have created a doorway, now. I’ve got a Patreon account. To support magic. (What have we come to? I know. I know.) And there’s a few levels, because I know some people really do like my coloring books, so you can pay a little bit and see what lies beyond the little magic door (receive scraps of paper from me once a month, always including a pen and ink drawing and some writing), or you can pay a bit more and receive the letters plus all of my books, coloring and whatever else, whenever I print them. Two copies: one to color and one to keep. They will be mailed straight to you, no Amazon involved.

Open the door.

Open the door to magic.

I think perhaps one person will sign up, and you will be very special.

Written by Shoshanah Marohn

Shoshanah Lee Marohn is sometimes using the nickname/ pen name Shana Lee, because it is much less complicated, and easier to spell.

3 Comments

trevorpspeer

Here is some Hesse magic for ya.

Whenever I read a Hesse novel weird synchronicities happen, like, for example, finding a GLASS BEAD in a random part of the woods while picking up dog poop (way off the trail) that is the exact size, color, and design, and is positioned so that the design in the glass bead is facing the same direction and is oriented the same as the most prominent glass bead on the cover of the copy of The Glass Bead Game I had with me. Was reading it on a bench before going to get the poo and discovering the marble staring right at me.

Thankfully there is an explanation for this seamingly personal message from the universe:

“The life of everybody is a road to himself” – Hesse

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